Naturally we’ll repeat the process if a USB mic supports different recording patterns. Fortunately, most models keep these simple, but tweaking the controls that are available and re-recording also lets us judge both how user-friendly these mics are and how easy it is to find the ideal gain, volume and positioning for them. To test USB microphones, we’ll record ourselves speaking into them and play back those recordings to hear how they sound with different settings. Panel discussions also lend themselves well to stereo recording, as you’ll get an idea of where each speaker was positioned when you listen back. Some USB microphones also have a stereo mode, which isn’t much better than cardioid for individual speech, but can be good for recording music. If you want to dabble in making podcasts or anything else that requires recording multiple speakers at once, bidirectional and omnidirectional capabilities are a must. If you’re only going to be recording yourself, any mic that uses a cardioid recording pattern is fine this just means the mic only records the area in front of it, i.e. It’s more important to make sure you have the microphone angled correctly while you’re using it. Integrated pop filters can help silence distracting popping sounds when you’re speaking close to the grille, but these aren’t essential for high sound quality. But it’s natural to want want the highest recording quality that your budget allows for, which is probably why the Blue Yeti remains so popular. None of the mics on this list sound bad, or else they wouldn’t be here. It’s fine to shop cheaper, though, if you only want a USB microphone for merely occasional use. In truth, $100-150 is still relatively low by dedicated microphone standards, and you can get several rich-sounding mics in this price range alone.
As such the first thing you may wish to consider is price: do you try to stick with a cheap $50 model, or spend over $100 for a more fully-featured model? How to choose the best USB microphone for youĪll of the best USB microphones have broadly similar form factors and, of course, connectivity. A full set of cardioid, bidirectional, omnidirectional and stereo modes are on hand too, though once again this doesn’t overcomplicate things if you just want to pop in the USB cable and go. If you’re willing to spend a little more for some hardware extras, the QuadCast S has you covered. Gamers and streamers in particular might appreciate this extra touch of flashiness - after all, who says a USB device can’t look interesting?Ĭlean, clear recording quality also ensures that the QuadCast S isn’t just a shiny bauble, and the built-in shock mount and pop filter help out too.
We’re fans of the standard HyperX QuadCast, and the QuadCast S model ups its game by adding customizable RGB lighting around the grille.
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